Performance Rights Organizations

What are Performing Rights Organizations? from Christopher Sabec on Vimeo.

In this presentation, we give an overview of PRO’s (Performance Rights Organizations). Discussing the 3 major ones (ASCAP, BMI and SESAC), this is an introduction to the work that they do and the necessity of their existence.

Fair Play, Fair Pay

Christopher Sabec Fair Pay, Fair PlayToday marks a historic day in the eyes of the music industry, as four members of Congress introduced a bi-partisan piece of legislation called the “Fair Play, Fair Pay Act of 2015.” The four members of Congress responsible for introducing the legislation were House Democrats Ted Deutch, Jerrold Nadler, and John Conyers Jr. and House Republican Marsha Blackburn. If the act passes, it would require radio stations to pay musicians for their songs played on the radio.  The act would also force all forms of radio to pay royalties on master recordings made after 1972, and do away with discounted rates paid by certain digital services to artists and musicians.

There is a short list of countries that don’t pay their artists for AM/FM radio airplay, and the United States is the only democratic country where this exists. The other countries include North Korea, Iran, Rwanda, Vietnam, and China. The United States has held this position for almost a century, and this act is a step forward towards change in the music industry. Because of the laws instilled in the United States, artists also don’t get paid for their songs played on the radio abroad. Since the US music industry imports more music than they export, the music economy in the US suffers due to this.

The executive director of musicFirst Coalition, Ted Kalo said, “The bill is designated to return the music licensing system to a basic principal of Fair Play, Fair Pay.”  People assume that artists are rich if their music gets played all over the world, but this is not necessarily the case coming from the United States.